Dancing Ledge
by Derek Jarman
In non-linear snippets and including photographs of Jarman's artwork, he describes his sexual awakening in post-war England, his early struggles to create and find recognition for his art, and vivid accounts of his friends, lovers, and inspirations.
Paperback
Brand New
Publisher Description
Jarman's first journal - preceding Modern Nature - is his candid coming-of-age memoir about being an art student, making his first films, and coming out in Britain in the 60s and 70s'What started as a book on the frustration of funding led to the writing of an autobiography at forty... I had so little to do in the daylight hours, I stayed up late unbuttoning Levis in back rooms.'In 1984 at the age of 40, the polymath film-maker Derek Jarman began to write his journals. In the first of these diaries, Dancing Ledge, we see his origins as a young artist, written with Jarman's distinctive immediacy, curiosity, and candour. Behind-the-scenes of his first controversial films and stage designs, at glamorous launch parties with friends like David Hockney, Ossie Clarke and Patrick Proktor, to the trials of securing funding, Dancing Ledge is a coming-of-age memoir for all fledgling artists.Dancing Ledge also chronicles a unique time in British history, capturing gay nightlife from the end of the war to the beginning of the AIDS epidemic.
Author Biography
Derek Jarman was born in London in 1942. His career spanned decades and genres, from painter, theatre designer, director, film maker, to poet, writer, campaigner and gardener. His features include Sebastiane (1976), Jubilee (1978), Caravaggio (1986), The Last of England (1987), Edward II (1991) and Blue (1993). His paintings - for which he was a Turner Prize nominee in 1986 - continue to be exhibited worldwide, and his garden in Dungeness remains a site of pilgrimage to fans and newcomers alike.
Review
Jarman's light illuminates the wilderness as brightly as ever * New Statesman *
Jarman [is] the sort of troublemaking visionary who one day may be compared with Blake * Time Out *
Review Quote
Jarman [is] the sort of troublemaking visionary who one day may be compared with Blake
Promotional "Headline"
Jarman's first journal - preceding Modern Nature - is his candid coming-of-age memoir about being an art student, making his first films, and coming out in Britain in the 60s and 70s
Details
