Publisher Description

"The writing is beautiful, the ideas persuasive, and the picture it paints of the process of careful observation is one that every writer should read. . . . A rich and wonderful book."
—American Journal of Education A landmark contribution to the field of research methodology, this remarkable book illuminates the origins, purposes, and features of portraiture—placing it within the larger discourse on social science inquiry and mapping it onto the broader terrain of qualitative research.

Back Cover

Portraiture is a method of inquiry that shares some of the features of other qualitative research methodssuch as ethnography, case study, and narrativebut it is distinctive in its blending of aesthetics and empiricism in an effort to capture the complexity, dynamics, and subtlety of human experience and organizational life. Portraiture first came to prominence in the works of Sara Lawrence-Lightfoot, who used it to document the culture of schools, the life stories of individuals, and the relationships among families, communities, and schools. The Art and Science of Portraiture illuminates the origins, purposes, and features of portraitureplacing it within the larger discourse on social science inquiry and mapping it onto the broader terrain of qualitative research. It delineates the processes, methods, and strategies of research design, data collection, and analysisunderscoring the structure and improvisation, the order and the creativity. It also charts the development of the portrait and the shaping of the narrative, blending literary principles, artistic resonance, and scientific rigor. A landmark contribution to the field of research methodology and an indispensable resource for the social scientist, this lyric book will also provide general readers with a new and illuminating way of viewing the world.

Flap

Portraiture is a method of inquiry that shares some of the features of other qualitative research methods?such as ethnography, case study, and narrative?but it is distinctive in its blAnding of aesthetics and empiricism in an effort to capture the complexity, dynamics, and subtlety of human experience and organizational life. Portraiture first came to prominence in the works of Sara Lawrence-Lightfoot, who used it to document the culture of schools, the life stories of individuals, and the relationships among families, communities, and schools.The Art and Science of Portraiture illuminates the origins, purposes, and features of portraiture?placing it within the larger discourse on social science inquiry and mapping it onto the broader terrain of qualitative research. It delineates the processes, methods, and strategies of research design, data collection, and analysis?underscoring the structure and improvisation, the order and the creativity. It also charts the development of the portrait and the shaping of the narrative, blAnding literary principles, artistic resonance, and scientific rigor.A landmark contribution to the field of research methodology and an indispensable resource for the social scientist, this lyric book will also provide general readers with a new and illuminating way of viewing the world.

Author Biography

SARA LAWRENCE-LIGHTFOOT, a promminent sociologist and professor, of education at Harvard University, is the author of numerous books including The Good High School, Balm in Gilead, and I've Known Rivers. Winner of the prestigious MacArthur Prize, Lawrence-Lightfoot was recently awarded Harvard's George Ledlie Prize given for research that makes the "most valuable contribution to science" and that "benefits mankind." She has been a Fellow at the Bunting Institute at Radcliffe College and at the Center for Advanced Study in the Behavioral Sciences at Stanford University. JESSICA HOFFMANN DAVIS is the Director of Arts in Education Concentration and a lecturer on education at the Harvard Graduate School of Education. She was the principal investigator of several arts projects at Harvard Project Zero. Her numerous publications include The MUSE (Museums Uniting with Schools in Education) Book and The Co-Arts Assessment Handbook.

Table of Contents

The Author ix Acknowledgments xi Introduction: The Frame xv Chapter One: A View of the Whole: Origins and Purposes 1 Chapter Two: Perspective Taking: Discovery and Development 19 Chapter Three: On Context 39 Illumination: Framing and Terrain 41 Implementation: Setting the Site 60 Artistic Refrain: Priming the Canvas 74 Chapter Four: On Voice 83 Illumination: Expressing a Point of View 85 Implementation: Defining the Lens 106 Artistic Refrain: Negotiating Perspective 124 Chapter Five: On Relationship 133 Illumination: Navigating Intimacy 135 Implementation: Delaring Boundaries 160 Artistic Refrain: Representing Rapport 175 Chapter Six: On Emergent Themes 183 Illumination: Searching for Patterns 185 Implementation: Naming Convergence 215 Artistic Refrain: Defining Form 232 Chapter Seven: On Aesthetic Whole 241 Illumination: Shaping the Story 243 Implementation: Composing the Narrative 261 Artistic Refrain: Achieving Balance 275 References 283 Index 289

Review

"The writing is beautiful, the ideas persuasive, and the picture it paints of the process of careful observation is one that every writer should read. . . . Clearly a statement about the seriousness, the difficulty, the judgmental standards, and ultimately, the reliability of this form of qualitative research. . . . A rich and wonderful book." --American Journal of Education

"Rich in insight and gracefully written. . . . The authors do a masterful job here of clarifying the dimensions of this dynamic layered research process. They make a convincing case for portraiture as a useful tool for exploring the complexity and aesthetic of experience, particulary educational experience. Most important, this volume advances portraiture as a generative research process that produces documents of both 'inquiry AND intervention.'" --Journal of Critical Inquiry Into Curriculum and Instruction

"This bold fascinating book attempts the impossible: to describe, even to start explaining a little what makes a good portrait?tackling brilliantly the ages old issue of how the vivid particular and the abstract universal can live in the same portrait. The lay reader will be delighted by this graceful book, but so will the human scientist looking for guidance in carrying out qualitative research. Traditional social scientists should read it, too, for when they have finished making up their number tables, they must translate them into narrative portraiture if they want their findings to matter." --Jerome Bruner, research professor of psychology, senior research fellow in law, New York University

"In this daring study, the authors show us that the representation of a community or an institution is an art as well as a science. They acknowledge the imaginative, the idiosyncratic, the sympathetic aspects inherent in the undertaking, revealing how attempting to suppress them risks distortion and desiccation." --James Ackerman, Arthur Kingsley, Professor Emeritus of Fine Arts, Harvard University

"Unique in this text is the serious and informed concern for aesthetic qualities of each presentation, a concern that allows for exploration of contexts and a crossing of the gulfs between art and empiricism. Breaking through old either/ors, the authors invite us to see differently, to hear differently, and?in some fascinating manner?to understand." --Maxine Greene, William F. Russell, Professor Emerita in the Foundations of Education, Teachers College, Columbia University

Long Description

Portraiture is a method of inquiry that shares some of the features of other qualitative research methods'such as ethnography, case study, and narrative'but it is distinctive in its blending of aesthetics and empiricism in an effort to capture the complexity, dynamics, and subtlety of human experience and organizational life. Portraiture first came to prominence in the works of Sara Lawrence-Lightfoot, who used it to document the culture of schools, the life stories of individuals, and the relationships among families, communities, and schools. The Art and Science of Portraiture illuminates the origins, purposes, and features of portraiture'placing it within the larger discourse on social science inquiry and mapping it onto the broader terrain of qualitative research. It delineates the processes, methods, and strategies of research design, data collection, and analysis'underscoring the structure and improvisation, the order and the creativity. It also charts the development of the portrait and the shaping of the narrative, blending literary principles, artistic resonance, and scientific rigor. A landmark contribution to the field of research methodology and an indispensable resource for the social scientist, this lyric book will also provide general readers with a new and illuminating way of viewing the world.

Review Text

"The writing is beautiful, the ideas persuasive, and the picture it paints of the process of careful observation is one that every writer should read. . . . Clearly a statement about the seriousness, the difficulty, the judgmental standards, and ultimately, the reliability of this form of qualitative research. . . . A rich and wonderful book." --American Journal of Education

"Rich in insight and gracefully written. . . . The authors do a masterful job here of clarifying the dimensions of this dynamic layered research process. They make a convincing case for portraiture as a useful tool for exploring the complexity and aesthetic of experience, particulary educational experience. Most important, this volume advances portraiture as a generative research process that produces documents of both 'inquiry AND intervention.'" --Journal of Critical Inquiry Into Curriculum and Instruction

"This bold fascinating book attempts the impossible: to describe, even to start explaining a little what makes a good portrait?tackling brilliantly the ages old issue of how the vivid particular and the abstract universal can live in the same portrait. The lay reader will be delighted by this graceful book, but so will the human scientist looking for guidance in carrying out qualitative research. Traditional social scientists should read it, too, for when they have finished making up their number tables, they must translate them into narrative portraiture if they want their findings to matter." --Jerome Bruner, research professor of psychology, senior research fellow in law, New York University

"In this daring study, the authors show us that the representation of a community or an institution is an art as well as a science. They acknowledge the imaginative, the idiosyncratic, the sympathetic aspects inherent in the undertaking, revealing how attempting to suppress them risks distortion and desiccation." --James Ackerman, Arthur Kingsley, Professor Emeritus of Fine Arts, Harvard University

"Unique in this text is the serious and informed concern for aesthetic qualities of each presentation, a concern that allows for exploration of contexts and a crossing of the gulfs between art and empiricism. Breaking through old either/ors, the authors invite us to see differently, to hear differently, and?in some fascinating manner?to understand." --Maxine Greene, William F. Russell, Professor Emerita in the Foundations of Education, Teachers College, Columbia University

Review Quote

"The writing is beautiful, the ideas persuasive, and the picture it paints of the process of careful observation is one that every writer should read. . . . Clearly a statement about the seriousness, the difficulty, the judgmental standards, and ultimately, the reliability of this form of qualitative research. . . . A rich and wonderful book." --American Journal of Education "Rich in insight and gracefully written. . . . The authors do a masterful job here of clarifying the dimensions of this dynamic layered research process. They make a convincing case for portraiture as a useful tool for exploring the complexity and aesthetic of experience, particulary educational experience. Most important, this volume advances portraiture as a generative research process that produces documents of both 'inquiry AND intervention.'" --Journal of Critical Inquiry Into Curriculum and Instruction "This bold fascinating book attempts the impossible: to describe, even to start explaining a little what makes a good portrait?tackling brilliantly the ages old issue of how the vivid particular and the abstract universal can live in the same portrait. The lay reader will be delighted by this graceful book, but so will the human scientist looking for guidance in carrying out qualitative research. Traditional social scientists should read it, too, for when they have finished making up their number tables, they must translate them into narrative portraiture if they want their findings to matter." --Jerome Bruner, research professor of psychology, senior research fellow in law, New York University "In this daring study, the authors show us that the representation of a community or an institution is an art as well as a science. They acknowledge the imaginative, the idiosyncratic, the sympathetic aspects inherent in the undertaking, revealing how attempting to suppress them risks distortion and desiccation." --James Ackerman, Arthur Kingsley, Professor Emeritus of Fine Arts, Harvard University "Unique in this text is the serious and informed concern for aesthetic qualities of each presentation, a concern that allows for exploration of contexts and a crossing of the gulfs between art and empiricism. Breaking through old either/ors, the authors invite us to see differently, to hear differently, and?in some fascinating manner?to understand." --Maxine Greene, William F. Russell, Professor Emerita in the Foundations of Education, Teachers College, Columbia University

Promotional "Headline"

"The writing is beautiful, the ideas persuasive, and the picture it paints of the process of careful observation is one that every writer should read. . . . Clearly a statement about the seriousness, the difficulty, the judgmental standards, and ultimately, the reliability of this form of qualitative research. . . . A rich and wonderful book." -American Journal of Education "Rich in insight and gracefully written. . . . The authors do a masterful job here of clarifying the dimensions of this dynamic layered research process. They make a convincing case for portraiture as a useful tool for exploring the complexity and aesthetic of experience, particulary educational experience. Most important, this volume advances portraiture as a generative research process that produces documents of both 'inquiry AND intervention.'" -Journal of Critical Inquiry Into Curriculum and Instruction "This bold fascinating book attempts the impossible: to describe, even to start explaining a little what makes a good portrait'tackling brilliantly the ages old issue of how the vivid particular and the abstract universal can live in the same portrait. The lay reader will be delighted by this graceful book, but so will the human scientist looking for guidance in carrying out qualitative research. Traditional social scientists should read it, too, for when they have finished making up their number tables, they must translate them into narrative portraiture if they want their findings to matter." -Jerome Bruner, research professor of psychology, senior research fellow in law, New York University "In this daring study, the authors show us that the representation of a community or an institution is an art as well as a science. They acknowledge the imaginative, the idiosyncratic, the sympathetic aspects inherent in the undertaking, revealing how attempting to suppress them risks distortion and desiccation." -James Ackerman, Arthur Kingsley, Professor Emeritus of Fine Arts, Harvard University "Unique in this text is the serious and informed concern for aesthetic qualities of each presentation, a concern that allows for exploration of contexts and a crossing of the gulfs between art and empiricism. Breaking through old either/ors, the authors invite us to see differently, to hear differently, and'in some fascinating manner'to understand." -Maxine Greene, William F. Russell, Professor Emerita in the Foundations of Education, Teachers College, Columbia University

Feature

The paperback edition of the definitive guide to the qualitative method of portraiture, written by MacArthur Prize-winner, Sara Lawrence Lightfoot.

• Offers guidelines for observation and interpretation that will benefit both social scientists and general readers.
• Beautifully written book, illustrated with Picasso prints.
• A landmark contribution to the field of research methodology and an indispensable resource for the social scientist.

Details