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Background -

Out Of Print!

Elton John – Tumbleweed Connection SACD from Island / Rocket / Chronicles / Universal Music (UM)

Instead of repeating the formula that made Elton John a success, John and Bernie Taupin attempted their most ambitious record to date for the follow-up to their breakthrough. A loose concept album about the American West, Tumbleweed Connection emphasized the pretensions that always lay beneath their song craft. Half of the songs don't follow conventional pop song structures; instead, they flow between verses and vague choruses. These experiments are remarkably successful, primarily because Taupin's lyrics are evocative and John's melodic sense is at its best. As should be expected for a concept album about the Wild West, the music draws from country and blues in equal measures, ranging from the bluesy choruses of "Ballad of a Well-Known Gun" and the modified country of "Country Comfort" to the gospel-inflected "Burn Down the Mission" and the rolling, soulful "Amoreena." Paul Buckmaster manages to write dramatic but appropriate string arrangements that accentuate the cinematic feel of the album. - Stephen Thomas Erlewine

Elton John was the biggest pop star of the '70s, grabbing headlines and generating hits throughout the world. As it turned out, this was merely the first act in a remarkable career that kept him at the top of the charts for decades. He had a Top 40 hit single every year between 1970 and 1996, a sign that he knew how to both change with the times and mold the times to fit him. Initially marketed as a singer / songwriter, John soon revealed he could also craft Beatles-like pop and pound out rockers with equal aplomb. He dipped into soul, disco, and country, as well as classic pop balladry, progressive rock, and even musical theater. His versatility, combined with his effortless melodic skills, dynamic charisma, and flamboyant stage shows, became his calling cards; many of his songs -- including "Your Song," "Rocket Man," "Goodbye Yellow Brick Road," and "Don't Let the Sun Go Down on Me" -- became contemporary pop standards.

The son of a former Royal Air Force trumpeter, John was born Reginald Kenneth Dwight in 1947. He began playing piano at the age of four, and when he was 11, he won a scholarship to the Royal Academy of Music. After studying for six years, he left school with the intention of breaking into the music business. In 1961, he joined his first band, Bluesology, and divided his time between playing with the group, giving solo concerts at a local hotel, and running errands for a London publishing house. By 1965, Bluesology was backing touring American soul and R&B musicians like Major Lance, Doris Troy, and the Bluebells. In 1966, Bluesology became Long John Baldry's supporting band as they toured cabarets throughout England. Dwight became frustrated with Baldry's control of the band and looked for other groups to join. He failed his lead vocalist auditions for both King Crimson and Gentle Giant before responding to an advertisement by Liberty Records. Though he failed his Liberty audition, he was given a stack of lyrics left with the label courtesy of Bernie Taupin, who had also replied to the ad. Dwight wrote music for Taupin's lyrics and began corresponding with him through mail. By the time the two met six months later, Dwight had changed his name to Elton John, taking his first name from Bluesology saxophonist Elton Dean and his last from John Baldry.

John and Taupin were hired by Dick James to become staff songwriters at his fledgling DJM in 1968. The pair collaborated at a rapid rate, with Taupin submitting batches of lyrics -- he often wrote a song an hour -- every few weeks. John would then write music without changing the words, sometimes completing the songs in under a half-hour. Over the next two years, the duo wrote for pop singers like Roger Cook and Lulu. In the meantime, John recorded cover versions of current hits for budget labels to be sold in supermarkets. By the summer of 1968, he had begun recording singles for release under his own name. Usually, these songs were more rock- and radio-oriented than the tunes he and Taupin were giving to other vocalists, yet neither of his early singles for Philips, "I've Been Loving You Too Long" and "Lady Samantha," sold well. In June of 1969, he released his debut album for DJM, Empty Sky, which received fair reviews, but no sales.

For his second album, John and Taupin hired producer Gus Dudgeon and arranger Paul Buckmaster, who contributed grandiose string charts to Elton John. Released in the summer of 1970, Elton John made inroads in America, where it appeared on MCA's Uni subsidiary. In August, he gave his first American concert at the Troubadour in Los Angeles, which received enthusiastic reviews, as well as praise from Quincy Jones and Leon Russell. Throughout the fall, Elton John continued to climb the charts on the strength of the Top Ten single "Your Song." John followed it quickly in late 1970 with the concept album Tumbleweed Connection, which received heavy airplay on album-oriented radio in the U.S., helping it climb into the Top Ten. The rapid release of Tumbleweed Connection established a pattern of frequent releases that John maintained throughout his career. In 1971, he released the live 11-17-70 and the Friends soundtrack, before releasing Madman Across the Water late in the year. Madman Across the Water was successful, but John achieved stardom with the follow-up, 1972's Honky Chateau. Recorded with his touring band -- bassist Dee Murray, drummer Nigel Olsson, and guitarist Davey Johnstone -- and featuring the hit singles "Rocket Man" and "Honky Cat," Honky Chateau became his first American number one album, spending five weeks at the top of the charts.

Between 1972 and 1976, John and Taupin's hitmaking machine was virtually unstoppable. "Rocket Man" began a four-year streak of 16 Top 20 hits in a row; out of those 16 -- including "Crocodile Rock," "Daniel," "Bennie and the Jets," "The Bitch Is Back," and "Philadelphia Freedom" -- only one, the FM hit "Saturday Night's Alright for Fighting," failed to reach the Top Ten. Honky Chateau was the first a streak of seven consecutive number one albums -- Don't Shoot Me I'm Only the Piano Player (1973), Goodbye Yellow Brick Road (1973), Caribou (1974), Greatest Hits (1974), Captain Fantastic and the Brown Dirt Cowboy (1975), and Rock of the Westies (1975) -- that all went platinum. John founded Rocket, a record label distributed by MCA, in 1973 in order to sign and produce acts like Neil Sedaka and Kiki Dee. John didn't become a Rocket recording artist himself, choosing to stay with MCA for a record-breaking eight-million-dollar contract in 1974. Later in 1974, he played and sang on John Lennon's number one come back single "Whatever Gets You Through the Night," and he persuaded Lennon to join him on-stage at Madison Square Garden on Thanksgiving Day 1974; it would prove to be Lennon's last live performance. The following year, Captain Fantastic became John's first album to enter the American charts at number one. After its release, he revamped his band, which now featured Johnstone, Quaye, Roger Pope, Ray Cooper, and bassist Kenny Passarelli; Rock of the Westies was the first album to feature this lineup.

Throughout the mid-'70s, John's concerts were enormously popular, as were his singles and albums, and he continued to record and perform at a rapid pace until 1976. That year, he revealed in an interview in Rolling Stone that he was bisexual; he would later admit that the confession was a compromise, since he was afraid to reveal that he was homosexual. Many fans reacted negatively to John's bisexuality, and his audience began to shrink somewhat in the late '70s. The decline in his record sales was also due to his exhaustion. After 1976, John cut his performance schedule drastically, announcing that he was retiring from live performances in 1977, and started recording only one album a year. His relationship with Taupin became strained following the release of 1976's double album Blue Moves, and the lyricist began working with other musicians. John returned in 1978 with A Single Man, which was written with Gary Osborne; the record produced no Top 20 singles. That year, he returned to live performances, first by jamming at the Live Stiffs package tour, then by launching a comeback tour in 1979 accompanied only by percussionist Ray Cooper. "Mama Can't Buy You Love," a song he recorded with Philly soul producer Thom Bell in 1977, returned him to the Top Ten in 1979, but that year's Victim of Love was a commercial disappointment.

John reunited with Taupin for 1980's 21 at 33, which featured the Top Ten single "Little Jeannie." Over the next three years, John remained a popular concert artist, but his singles failed to break the Top Ten, even if they reached the Top 40. In 1981, he signed with Geffen Records and his second album for the label, Jump Up!, went gold on the strength of "Blue Eyes" and "Empty Garden (Hey Hey Johnny)," his tribute to John Lennon. But it was 1983's Too Low for Zero that marked his last great streak of hit singles, with the MTV hit "I'm Still Standing" and the Top Ten single "I Guess That's Why They Call It the Blues." Throughout the rest of the '80s, John's albums consistently went gold, and they always generated at least one Top 40 single; frequently, they featured Top Ten singles like "Sad Songs (Say So Much)" (1984), "Nikita" (1986), "Candle in the Wind" (1987), and "I Don't Want to Go on with You Like That" (1988). While his career continued to be successful, his personal life was in turmoil. Since the mid-'70s, he had been addicted to cocaine and alcohol, and the situation only worsened during the '80s. In a surprise move, he married engineer Renate Blauel in 1984; the couple stayed married for four years, although John later admitted he realized he was homosexual before his marriage. In 1986, he underwent throat surgery while on tour, but even after he successfully recovered, he continued to abuse cocaine and alcohol.

Following a record-breaking five-date stint at Madison Square Garden in 1988, John auctioned off all of his theatrical costumes, thousands of pieces of memorabilia, and his extensive record collection through Sotheby's. The auction was a symbolic turning point. Over the next two years, John battled both his drug addiction and bulimia, undergoing hair replacement surgery at the same time. By 1991 he was sober, and the following year he established the Elton John AIDS Foundation; he also announced that he would donate all royalties from his single sales to AIDS research.

In 1992, John returned to active recording with The One. Peaking at number eight on the U.S. charts and going double platinum, the album became his most successful record since Blue Moves and sparked a career renaissance for John. He and Taupin signed a record-breaking publishing deal with Warner/Chappell Music in 1992 for an estimated 39 million dollars. In 1994, John collaborated with lyricist Tim Rice on songs for Disney's animated feature The Lion King. One of their collaborations, "Can You Feel the Love Tonight," won the Academy Award for Best Original Song, as well as the Grammy for Best Male Pop Vocal Performance. John's 1995 album, Made in England, continued his comeback, peaking at number three on the U.K. charts and number 13 in the U.S.; in America, the album went platinum. The 1997 follow-up, The Big Picture, delivered more of the same well-crafted pop, made the Top Ten, and produced a hit in "Something About the Way You Look Tonight." However, its success was overshadowed by John's response to the tragic death of Princess Diana -- he re-recorded "Candle in the Wind" (originally a eulogy for Marilyn Monroe) as a tribute to his slain friend, with Taupin adapting the lyrics for what was planned as the B-side of "Something About the Way You Look Tonight.”

With the profits earmarked for Diana's favorite charities, and with a debut performance at Diana's funeral, "Candle in the Wind 1997" became the fastest-selling hit of all time in both Britain and the U.S. upon the single's release, easily debuting at number one on both sides of the Atlantic; with first-week sales of over three million copies in the U.S. alone and 14 weeks in the top spot, it was John's biggest hit ever. For his next project, John reunited with Lion King collaborator Tim Rice to write songs for Disney's Broadway musical adaptation of the story of Aida; an album of their efforts featuring a who's-who of contemporary pop musicians was released in early 1999, going gold by the end of the year. In late 2000, John landed a TV special with CBS, performing a selection of his greatest hits at Madison Square Garden; a companion album drawn from those performances, One Night Only, was issued shortly before the special aired. Released in 2001, Songs from the West Coast was a return to form for John, who found critical success for the first time since the '80s. However, it wasn't until 2004's popular Peachtree Road album that he managed to match that success commercially. In 2006, John and Taupin released The Captain & the Kid, a sequel to 1975's Captain Fantastic and the Brown Dirt Cowboy. John busied himself with stage work and a Vegas show before he unexpectedly recorded a duet album with Leon Russell, releasing the T-Bone Burnett-produced The Union in the fall of 2010.

The Union revived Russell's career and the duo supported the record with a limited tour. John settled into another Vegas stint in 2011, signing a contract with Caesars Palace to deliver a show called The Million Dollar Piano over the next three years. Despite this long-term commitment, Elton pursued other projects: He published an autobiography called Love Is the Cure in the summer of 2012 and, around the same time, the Australian dance duo Pnau reworked many of his classic '70s recordings on the Good Morning to the Night album. He also completed another collection of new songs, The Diving Board; the T-Bone Burnett-produced album appeared in September 2013. Three years later, John again reunited with Burnett to record Wonderful Crazy Night, the first album of his to feature his touring band since The Captain & the Kid. Wonderful Crazy Night saw release in February 2016. A year later, PBS aired the Burnett-produced documentary The American Epic Sessions, which yielded a number of unique collaborations between prominent artists, including the Elton John and Jack White duet "2 Fingers of Whiskey." In November 2017, Universal released the Diamonds compilation -- available as a double-disc and as a deluxe triple-CD set -- to mark the 50th anniversary of John's songwriting career with Taupin.

Elton John launched his final tour, dubbed Farewell Yellow Brick Road, in September 2018, the first in a series of retrospective events that ran through 2020. The splashiest of these was Rocketman, a Dexter Fletcher-directed 2019 biopic starring Taron Egerton as the rocker and Jamie Bell as Taupin. John and Taupin contributed a new song, "(I'm Gonna) Love Me Again" -- performed as a duet with Egerton -- which later won the Academy Award for Best Song. At the end of 2019, John published his memoir, Me. Jewel Box, a hefty box set containing non-LP B-sides and previously unreleased early collaborations with Bernie Taupin, appeared in time for the holiday season of 2020. - Stephen Thomas Erlewine

This listing is for a rare audiophile SACD title! It is OUT OF PRINT - a USED / OPENED, in Near MINT minus overall condition SACD, PRESSED and ISSUED by ISLAND / Rocket / Chronicles / Universal Music, of a highly collectible title from their music catalog, featuring -

Elton John

SACD Title -

Tumbleweed Connection

Track Listing -

1. Ballad Of A Well-Known Gun - 4:58
2. Come Down In Time - 3:26
3. Country Comfort - 12-String Acoustic Guitar [Acoustic 12-String Guitar] – Les Thatcher, Backing Vocals – Ian Duck, Steel Guitar – Gordon Huntley, Violin – Johnny Van Derek - 5:06
4. Son Of Your Father - Backing Vocals – Sue & Sunny - 3:49
5. My Father's Gun - 6:21
6. Where To Now St. Peter? - Backing Vocals – Dee Murray, Nigel Olsson - 4:11
7. Love Song - Composed By, Acoustic Guitar – Lesley Duncan - 3:39
8. Amoreena - Bass – Dee Murray, Drums – Nigel Olsson, Organ – Elton John - 5:00
9. Talking Old Soldiers - 4:56
10. Burn Down The Mission - Acoustic Guitar – Mike Egan, Backing Vocals – Elton John, Congas, Tambourine – Robin Jones, Organ – Brian Dee - 6:21
Bonus Tracks
11. Into The Old Man's Shoes - 4:02
12. Madman Across The Water (Original Version) - 8:51

Other Information / Credits / etc.. -

• Distributed By – Universal Music & Video Distribution, Corp.
• Manufactured By – Island Def Jam Music Group
• Phonographic Copyright ℗ – This Record Co. Ltd.
• Copyright © – This Record Co. Ltd.
• Recorded At – Trident Studios
• Mixed At – Flower Studios
• Mastered At – Flower Studios
• Edited At – Super Audio Center
• Mastered At – Metropolis Mastering
• Glass Mastered at – DADC – SUHD-010010A1
• Glass Mastered at – DADC – STLD-010010
• Acoustic Bass – Chris Laurence (tracks: 1, 10)
• Acoustic Guitar – Caleb Quaye (tracks: 1, 3, 5, 6), Les Thatcher (tracks: 2, 10)
• Arranged By – Paul Buckmaster
• Backing Vocals – Dusty Springfield (tracks: 1, 5), Kay Garner (tracks: 1, 4, 5), Lesley Duncan (tracks: 1, 4, 5, 7), Madeline Bell (tracks: 1, 4, 5), Tony Burrows (tracks: 1, 5), Tony Hazzard (tracks: 1, 5)
• Bass – Dave Glover (tracks: 1, 4 to 6), Herbie Flowers (tracks: 2, 3, 10)
• Drums – Barry Morgan (tracks: 2, 3, 10)
• Drums, Percussion – Roger Pope (tracks: 1, 4 to 6)
• Edited By [DSD] – Gus Skinas
• Engineer – Robin Geoffrey Cable
• Harmonica – Ian Duck (tracks: 3, 4)
• Lead Guitar – Caleb Quaye (tracks: 1, 4 to 6)
• Piano – Elton John (tracks: 1, 3 to 6, 8 to 10)
• Producer – Gus Dudgeon
• Producer [Surround Sound], Mixed By [Surround Sound], Mastered By [Surround Sound] – Greg Penny
• Remastered By [Stereo Mixes] – Tony Cousins
• Transferred By [Digital Transfers] – Ricky Graham
• Written-By – Elton John & Bernie Taupin (tracks: 1 to 6, 8 to 10)
SACD Stereo/SACD Surround Sound/CD Audio
Surround sound produced, mixed and mastered at Flower Surround, Ojai, California
• Barcode: 602498240281
• Matrix / Runout (SACD Layer): SUHD-010010A1 1
• Matrix / Runout (CD Layer): STLD-010010 1
• Mastering SID Code (SACD Layer): IFPI L332
• Mastering SID Code (CD Layer): IFPI L327

The SACD is from the Island / Rocket / Chronicles / UM series of audiophile SACDs.

The (GOLD hue) SACD, Jewel Case and Inserts are all in Near MINT minus overall condition! The disc may have a light spider mark or two on the reflective side of the SACD, but we really couldn't see anything under strong, white light. The jewel case shows only light shelf wear - NOTHING serious at all. We play tested the SACD on our audio system and it performed perfectly - see the pictures with this listing as they are of the actual item being offered. 

This SACD is an audiophile quality pressing (any collector of fine MFSL, half speeds, direct to discs, Japanese/UK pressings etc., can attest to the difference a quality pressing can make to an audio system).

Do not let this rarity slip by!