| Track listing | Time |
|---|
| Benjamin BRITTEN: Violin Concerto, op 15 | 29' 43" |
|---|
| 1 | I Moderato con moto – Agitato – Tempo primo*† | 8' 25" |
| 2 | II Vivace – Animando – Largamente – Cadenza –
III Attacca – Passacaglia: Andante lento – Un poco meno mosso | 21' 17" |
| Pyotr Ilyich TCHAIKOVSKY: Symphony no 4 in F minor, op 36 | 38' 10" |
|---|
| 3 | I Andante sostenuto – Moderato con anima | 16' 19" |
| 4 | II Andantino in mòdo di canzona | 8' 23" |
| 5 | III Scherzo: Pizzicato ostinato | 5' 11" |
| 6 | IV Finale: Allegro con fuoco | 8' 16" |
| Encore: Stanisław MONIUSZKO: Straszny dwór (The Haunted Manor) | 5' 10" |
|---|
| 7 | Act IV Mazur | 5' 10" |
| Total time: | 73' 03" |
|---|
“Wanda Wiłkomirska presents herself here as one of the great storytellers on the violin. She plays one of the most important concertos of the 20th Century, and the recording technique is sensational. An unrepeatable constellation.”
—Wolfgang Wendel, German Record Critic's Award, (Quarterly Critics’ Choice for Q4 2012 in the Historical Recordings category), 5th November 2012
“Wiłkomirska remains sweet, and focused, of tone throughout … her assurance is perhaps at its zenith in her playing of the Passacaglia, which is powerful, virtuosic, expressively cogent, and where we find she retains virtuosity and tonal vibrance to the very end. This joins the admittedly small discography of the work, and does so on sheer merit.”
“Rowicki directs a compelling, dramatic Tchaikovsky Four … With a sweeping battalion of strings at his disposal, punctuating brass and amazingly vivid percussion definition, courtesy of another of [OCCDs’] top class microphone placements, this is a seismic rendition of the symphony.”
“Hair-shirt production values from this company ensure that terrific concerts such as this have a continuing and richly deserved afterlife.”
—Jonathan Woolf, Music Web International, December 2011
“Really, your recording is of demonstration quality, with all the clarity one could ask for. The balance between soloists and orchestra, the dynamic range and the stereo separation are excellent. Well done!”
—Graham B. Slater, former BBC engineer, private correspondence, 5th February 2012
“[T]his is a breathtaking performance of the Britten […] Musicianship of the highest order from sol[o]ist, conductor, and orchestra IMHO. And a simply stunning live performance exquisitely recorded. Nothing is lost. Quite outstanding, and one of my ‘best buys’ this year.”
—Andrew Magnay, UK on the Violinist's Forum, 22nd May 2012
“[…] Wiłkomirska’s radiant performance is typical of her supremely agile, subtly inflected and lyrical playing style, and Rowicki accompanies with his characteristic skill. This disc is well worth acquiring for the Britten alone, but Rowicki’s account of Tchaikovsky’s Fourth Symphony is remarkable too. This is no routine outing for a familiar warhorse but a thrilling performance that seems to relish living dangerously and that bristles with dark, propulsive energy from start to finish. The impact of the playing is helped by the superb sound of the recording – [… this disc is] an extraordinary success from a technical point of view as well.”
—Nigel Simeone,, International Record Review, June 2012
“Climbing a few rungs up the sonic ladder finds us in the company of the fine Polish violinist Wanda Wiłkomirska with the Warsaw Philharmonic under a favourite conductor of mine, Witold Rowicki, for a brightly lit presentation of Britten’s Violin Concerto.”
“…stereo results […] rival those that the ‘majors’ were achieving with a budget of thousands! This particular concert […] also includes a highly combustible Tchaikovsky Fourth and the thrilling ‘Mazur’ from The Haunted Manor by Moniuszko.”
—Rob Cowan, Gramophone, July 2012
“Wanda Wiłkomirska is a distinguished advocate of the Britten Violin Concerto, and was clearly on top form at a Royal Festival Hall performance in 1967, […proving] movingly persuasive in the work’s many lyrical passages.”
The Strad, July 2012
“[The performances] are, in a word, riveting … [Wiłkomirska’s] performance of the very difficult Britten concerto is simply awe-inspiring. I was struck dumb by her increasingly arching upward phrases, at times almost making her violin sound as if she were trying to break into the ionosphere … I was absolutely mesmerized by Wiłkomirska’s performance and I think you will be, too.”
“[T]his is a heck of a great disc and I recommend it highly. It won the 2012 German Record Critics’ prize, and well deserved it.”
—Lynn René Bayley, Fanfare, 36:3, January/February 2013
“At the time, [a live performance in Chicago of Tchaikovsky’s Fourth Symphony by the Warsaw Philharmonic under Witold Rowicki in the early 1970s] was the greatest performance of the symphony I’d ever heard. … Well, here it is. … [this] is in every way the same kind of performance I was to hear in Chicago a few years later, and it is every bit as good as I remembered it.”
“Wiłkomirska and Rowicki have the full measure of this complex and tragic work [Britten Violin Concerto], and their performance is as heart-rending and searing as the composer’s own, recorded for London a few years later.”
“What you get […] is an orchestra playing with an intensity rarely encountered in studio performances. Rowicki asks for everything they have, and that’s exactly what they give him. Finally, the sound is very good for a live performance from 1967, spacious and brightly lit … this recording is an important document of a remarkable concert. If you’ve been looking for a Tchaikovsky Fourth that burns at the white heat, here it is.”
—Max Westler, Enjoy The Music Magazine, October 2013