In "Ice" Gillian Clarke turns to the real winters of 2009 and 2010. In their extremity they redefined all the seasons for her. Nature asserted itself and renewed the environment for the imagination. The poem "Polar" is the poet's point de repere, evoking a polar-bear rug she had as a child and here resurrects in a spirit of personal and ecological longing that becomes a creative act. She lives with the planet, its seasons and creatures, in a joyful, anxious communion. The book also includes the 'asked for' and commissioned poems, and the "Guardian" spreads Clarke has written during her time as National Poet of Wales (2008-2013). She follows in the rich millennium-old Welsh tradition of occasional writing going back to the first-known named British poets Aneirin and Taliesin in the sixth century.

Born in Cardiff, Gillian Clarke is a poet, playwright, editor, broadcaster, lecturer and translator (from Welsh). She edited the Anglo-Welsh Review from 1975 to 1984, and has taught creative writing in primary and secondary schools and at university level. She is a former president of Ty Newydd, the writers' centre in North Wales which she co-founded in 1990. Since 1994 she has been a tutor in Creative Writing at the University of Glamorgan. Clarke was the inaugural Capital Poet for Cardiff 2005-6. Her poetry is studied by GCSE and A Level students throughout Britain. She has given poetry readings and lectures in Europe and the United States, and her work has been translated into ten languages. She has a daughter and two sons, and now lives with her architect husband on a smallholding in Ceredigion, Wales, where they raise a small flock of sheep, and care for the land according to organic and conservation practice. In 2008 Gillian Clarke was appointed National Poet of Wales. Carcanet have published her Selected Poems (1985), Letting in the Rumour (1989, Poetry Book Society Recommendation), The King of Britain's Daughter (1993), Collected Poems (1997), Five Fields (1998) and Making the Beds for the Dead (2004).