Publisher Description

Traditionally literary modernism has been seen as a movement marked by transcendent epiphanies, episodes of estrangement, and a privileging of the extraordinary. Yet modernist writings often take great pains to describe the material, seemingly insignificant details of daily life. Modernism and the Ordinary upends our perceived notions of the period's literature as it recognizes just how pivotal commonplace activities are to modernist aesthetics.Through pointed readings of prose and poetry from both the U. S. and abroad, Liesl Olson highlights the variety of ways modernist writers represented the quotidian details of modern life, evenduring times of political crisis and war. Run of the mill experiences like walking to work, eating a sandwich, or mending a dress were often resistant to shock, and these daily actions presented a counter-force to the aesthetic of heightened affect with which modernism is often associated. In a series of persuasively argued chapters, we see how the ordinary operates in its many modernist manifestations: the minutiae of list-making and the decidedly unheroic qualities of Bloom in Joyce'sUlysses; Virginia Woolf's rendering of the ordinary as an affective experience in Mrs. Dalloway; the retreat into daily routine as a refuge from the tumult of World War II in Gertrude Stein's Mrs.Reynolds; Wallace Steven's conception of the commonplace as rooted in pragmatist philosophy; and how Beckett and Proust are simultaneously compelled and repelled by the banalities of modern life. These works are read alongside the ideas of philosophers such as William James, Henri Bergson, and Henri Lefebvre to illustrate how these artists responded to the difficulty of representing the mundane without making it transcendent. A trenchant, richly texturedmonograph, Modernism and the Ordinary reveals how the non-transformative power of everyday experiences-what Virginia Woolf called the "cotton wool of daily life"-exerts a profound influence on the epoch-defining artof some of the twentieth century's most celebrated writers.

Author Biography

Liesl Olson teaches at The University of Chicago where she is a Harper-Schmidt Fellow and Assistant Professor in the Humanities Division.

Table of Contents

Abbreviations ; Introduction ; I. James Joyce and the Realism of the Ordinary ; II. Virginia Woolf and the "cotton wool of daily life" ; III. Gertrude Stein, William James, and Habit in the Shadow of War ; IV. Wallace Stevens' Commonplace ; V. Conclusion ; Notes ; Bibliography

Review

"Modernism and the Ordinary is exceptionally well-written, elegantly organized, and compelling in its argument that critical accounts of literary modernism have failed to recognize in the major works of that period the centrality of ordinary experience and everyday life."-Rebecca Walkowitz, Rutgers University"In this masterful study, Liesl Olson shows that modernist writers' attention to the everyday entailed a complex struggle to retain the ordinariness of the ordinary-to resist literary representation's drift toward the epiphanic, the momentous, the teleological. Olson's clear-eyed, elegant readings recast in wonderfully unexpected ways twentieth-century art's relation to the mundane life that furnished its most vital, yet most exacting, material."-Douglas Mao,Johns Hopkins University

Long Description

Traditionally literary modernism has been seen as a movement marked by transcendent epiphanies, episodes of estrangement, and a privileging of the extraordinary. Yet modernist writings often take great pains to describe the material, seemingly insignificant details of daily life. Modernism and the Ordinary upends our perceived notions of the period's literature as it recognizes just how pivotal commonplace activities are to modernist aesthetics.
Through pointed readings of prose and poetry from both the U. S. and abroad, Liesl Olson highlights the variety of ways modernist writers represented the quotidian details of modern life, even during times of political crisis and war. Run of the mill experiences like walking to work, eating a
sandwich, or mending a dress were often resistant to shock, and these daily actions presented a counter-force to the aesthetic of heightened affect with which modernism is often associated. In a series of persuasively argued chapters, we see how the ordinary operates in its many modernist manifestations: the minutiae of list-making and the decidedly unheroic qualities of Bloom in Joyce's Ulysses; Virginia Woolf's rendering of the ordinary as an affective experience in Mrs.
Dalloway; the retreat into daily routine as a refuge from the tumult of World War II in Gertrude Stein's Mrs. Reynolds; Wallace Steven's conception of the commonplace as rooted in pragmatist philosophy; and how Beckett and Proust are simultaneously compelled and repelled by the banalities of modern life. These works
are read alongside the ideas of philosophers such as William James, Henri Bergson, and Henri Lefebvre to illustrate how these artists responded to the difficulty of representing the mundane without making it transcendent. A trenchant, richly textured monograph, Modernism and the Ordinary reveals how the non-transformative power of everyday experiences-what Virginia Woolf called the "cotton wool of daily life"-exerts a profound influence on the epoch-defining art
of some of the twentieth century's most celebrated writers.

Review Text

"Modernism and the Ordinary is exceptionally well-written, elegantly organized, and compelling in its argument that critical accounts of literary modernism have failed to recognize in the major works of that period the centrality of ordinary experience and everyday life."-Rebecca Walkowitz, Rutgers University
"In this masterful study, Liesl Olson shows that modernist writers' attention to the everyday entailed a complex struggle to retain the ordinariness of the ordinary-to resist literary representation's drift toward the epiphanic, the momentous, the teleological. Olson's clear-eyed, elegant readings recast in wonderfully unexpected ways twentieth-century art's relation to the mundane life that furnished its most vital, yet most exacting, material."-Douglas Mao,
Johns Hopkins University

Review Quote

"Modernism and the Ordinary is exceptionally well-written, elegantly organized, and compelling in its argument that critical accounts of literary modernism have failed to recognize in the major works of that period the centrality of ordinary experience and everyday life."-Rebecca Walkowitz, Rutgers University "In this masterful study, Liesl Olson shows that modernist writers' attention to the everyday entailed a complex struggle to retain the ordinariness of the ordinary-to resist literary representation's drift toward the epiphanic, the momentous, the teleological. Olson's clear-eyed, elegant readings recast in wonderfully unexpected ways twentieth-century art's relation to the mundane life that furnished its most vital, yet most exacting, material."-Douglas Mao, Johns Hopkins University

Feature

Selling point: Argues for a new understanding of literary modernism-one that emphasizes duration rather than moments, repetition rather than singularity, and satisfaction rather than affective intensity. Charts the interconnections among writers on both sides of the Atlantic to show that modernism's Bibliographyn with ordinary experience is not limited to a few cases, but constitutes a modernist zeitgeist across genres and national borders. Offers a new theory of the
ordinary that accounts for the political dangers of modernist "epiphany," probing the relationship between habit and politics and the role of the quotidian during times of war and tumult.

Details